The web layout may be maturing. However, it’s still a challenge to fads, fashions, and whims. Those aware of a few tendencies might be person-pleasant if we’re fortunate. So, what is coming in 2018? Here are a few predictions. (Remember that subscribers can download our User Experience & Interaction Design for Mobile & Web Best Practice Guide).
1. The loss of life in flat design
In our UX developments 2018, Will Grant of Proteolytic says he hopes “to look the tide flip again towards flat layout, and a go back to (subtle) visual affordances in UI throughout the board.” As early as 2014, Co. Design asked, “Is flat layout already passé?” And this year, the designer is all speaking about drop shadows and gradients again, the affordances that Grant talks of. Indeed, a look at Nielsen Norman Group in 2017 showed that users took 22% longer to navigate through an ultra-flat layout.
I’m no longer exactly setting my neck on the line in predicting video may be big. It already is. It is everywhere, from media websites pivoting to video to extra brief videos on social networks and videos in website design. The video remains a chunk of a debatable web layout detail to some UX experts. Especially in e-commerce, it could be seen as a distraction, lumped within the same category as vehicle carousels (read the remarks on a previous article about video backgrounds).
However, as always, the usefulness of video relies upon what the website and designer seek to gain. I nonetheless agree with the hero/heritage video has an area on a computer as an example; click on the GIF underneath to visit the new Barbican internet site (released in the past due 2017), and I defy you to mention the video heritage does not convey the dimensions and splendor of the Barbican’s architecture.
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Away from backgrounds, John Moore Williams’s writing on the web flow blog highlights the application of the <video> HTML element. Williams says, check out the web flow homepage, and you may see an example of this, captured within the GIF underneath. As I scroll under the fold, a video element shows me what the software program looks like. As Moore says, the splendor of video is its capability to “convey complex data” – simply a great tool for B2B websites.
3. Subtle scrolling effects
Parallax scrolling has been long gone, with many designers recognizing that slow load instances and a poor effect on usability represent too high a fee to pay for the product. But that doesn’t imply there can’t be joy in scrolling. One of my favorite examples is using a connected heritage photo that doesn’t scroll with the page.
Sticking with the Barbican internet site, you can see an instance below. Okay, it is possible now not the best example, given the white text isn’t the very best to read, but the impact, in reality, affects. There are other great examples at the Made with the aid of many homepages. We may see this trend growing in digital marketing, with the scrolling format already pretty nicely hooked up and using comparable concepts to catch the viewer’s attention.
Below is more than one example, one on cellular (through the IAB) and one on the laptop (through Sizmek’s library of advert formats). This format is visible as a positive experience for the user in that they get to control the ad’s reveal (and disappearance); consequently, it does not impose as much as a sticky ad may. There are parallax scroll ad codecs, too, which aren’t assorted, though they take longer to load and arguably touch greater disorienting.
Arguably, this isn’t always a huge deal. However, I feel pressured to cope with it, given the ghost button is one of the net design traits we’ve trumpeted in previous years. Christopher Ratcliff rightly pointed to the growth in ghost buttons on the give-up of 2014, regarding them as “now not pretty a name-to-action. Perfect for designers not wishing to litter their sites with albeit important navigation.” Unfortunately, this description was too accurate, E. Those buttons truly don’t call the user to the motion.
An excellent blog through Bartholomew Fish details the provenance of ghost buttons (coming out of flat design) and suggests some fairly missable examples. The trouble is that ghost buttons do not offer sufficient comparison while positioned over busy imagery or text. Similarly, if the button text color is too similar to the historical photograph color, there may be a comparison problem. The result may be a 20% lower in clicks, according to a few studies precise in Fish’s blog post.
Sticky or fixed navigation isn’t mainly new, including header menus that comply with you (or stick in an area) as you scroll down a page. But as stores redevelop their e-commerce websites, it is a design feature we see increasingly more of. The John above Moore Williams of web flow even highlights a probable fashion for floating header menus that is the same principle; however, the menu appears to float, allowing the homepage visuals to hold in the back of them. See the homepage of Le Réseau COOP for an excellent instance.
A fashion for a few years now – typography as visible. Serif fonts are making an extra appearance, too.
7. Brutalism meets luxury e-commerce
Brutalism is a style of structure that flourished in the Nineteen Sixties and is so-called after Le Corbusier’s description of one in every one of his substances, béton brut (raw concrete). Seeing as we’ve cited the Barbican twice already, it’s worth pointing to again as possibly the most well-known example of a brutalist improvement in the UK.
Anyway, it seems the term was co-opted into the net design at some unspecified time in 2016. It’s worth sorting out a notable template for UX brutalism created using the UX Design Collective. Brutalism is a fashion most often seen on adventurous enterprise websites, and artist websites normally pretty restricted affairs in phrases of various pages and diploma of functionality.
However, in 2017, sm got a lot of attention due to the redecoration of the Balenciaga e-commerce website. You can look at a thorough Econsultancy assessment of the website online from when it was returned in July. For all their doubts, most of our commenters popular Balenciaga’s bravery.