Stephen Bennett critiques a quintet of Universal Audio plugins.

Universal Audio (UA) ‘s software/plugin blend UAD has extended because of the early PCI-based upload-on playing cards designed to feature a few Digital Signal Processing (DSP) grunt to the underpowered PC of the day. Now on version 9.3, the desired hardwareof devices with PCIe or Thunderbolt, Firewire, USB connectivity, and UA’s excellent Apollo interfaces that let you use UAD plugins in real-time.

UNDER EVALUATION, the UAD suite adds four of UA’s direct developer plugins (which might be designed using their immediate developer companions) and one from UA itself. The first of the brand-new quintet is the UAD version of Sonnox’s Oxford Dynamic EQ. This was reviewed in its ‘local’ format in AMI’s September 2017 version, so have a glance there for an extra detailed description of its capabilities. I can verify that it works exactly like the ‘native’ version and sounds equal – as a section-reversal assessment confirmed.

Audio plugins

One of UA’s claims regarding the accuracy of their emulation is the close running courting they have with the unique producers and having access to their “golden devices” and algorithms have to pay dividends with the one’s plugins based on the digital generation. However, when the emulation is an aggregate of analog and virtual, the scenario will become more complicated. Many humans like the ‘sound’ of digital processors due to the ‘shade’ imparted by analog input and output chains. To emulate such gadgets effectively, each aspect of the audio coin must be addressed.

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The respected AMS RMX16 became an early digital reverb whose processing energy seems laughable in opposition to an ordinary phone. Yet, they have been used on endless hit records by many reputable engineers and represented an amazing use of restrained processing electricity, clever algorithms, and excessive give-up analog circuitry. Developed using Mark Crabtree, the authentic designer, one would assume the emulation to be quite close to the unique. I was never lucky enough to personal an AMS unit, but I have many recordings that had been processed via one and have the original gadgets used. Listening again to these, the similarities with the authentic unit are uncanny; the room, plate, and nonlinear I used most (what’s up! It was the ’80s), captured the ‘vibe’ of the AMS perfectly.

AMS-Neve throws in presets created by the likes of Steve Levine; however, to be sincere, the AMS is so easy to apply you don’t want the guiding hands of audio giants to construct useful programs. The 1982 KORG SDD-3000 thirteen-bit Digital Delay became a key aspect of U2’s guitar sound, made well-known through The Edge, and UA declares that the UAD model is a cease-to-quit emulation. If you’re after a versatile but sonically interesting delay, you could have found what you’re seeking. The SDD-3000 capabilities the then-tongues one 2d postpone time and modulation results, each sensible to the DAW’s pace.

The Dytronics Cyclosonic Panner is something I’d never encountered before. It emulates a 1984 vintage analog modulation and panning processor with auto panning, ‘3D’ planning, and a gate for cause panning. That’s a variety of panning. Usefully, it could also synchronize to the DAW tempo. Comparing the sound to the bathroom-general auto-pan in my DAW makes it obvious that the plugin adds a certain mojo. When you had been one of the few human beings within the global usage of the unique hardware, its sonic idiosyncrasies had likely been well worth the charge of entry. But now everybody with a UAD DSP processor may have one; it’s probably not so cool. However, thank Universal Audio for digging out those fantastically obscure processors – I might not be without my UAD Cooper Time Cube.

One of the demanding situations of reviewing UAD’s plugins is tracking down the uniqueness of the emulated hardware. Luckily, one of my colleagues has an ENGL Savage a hundred and twenty Amplifier, so I turned to make direct recorded comparisons of the plugin version versus the amplifier itself. We’ve come to a protracted manner in view that I strapped Rockman onto my belt for a simulation of that Delta Blues sound and, if you are turning the volume as much as 11, the ‘real thing’ still has the brink – but I’d assignment all. However, the most geeky listeners try to distinguish a recording of the ENGL Savage 120 emulation from the amplifier mixed up in a first-rate sounding room.

You’d preferably want a near-zero latency UAD Apollo interface to apply those in actual time, but I chose to document usable guitar parts using my traditional interface. Until quantum computing offers an extensive increase in real-time audio processing (or doing it within the beyond – the quantum international is like that), upload-on DSP hardware is here to live, and UAD is demonstrating that they are nonetheless at the top of that unique game.

InIn this optimization manual, we can optimize mixing and gaining knowledge, so sit back, relax, and study! Optimizing for Mixing and Mastering: If you keep in mind in my preceding article the H/W buffer settings and the whole lot beneath the “Settings” body in your Pro Tools “Playback Engine” options, you remember that you desired the bottom possible size for recording, now can you bet what you need for blending and getting to know? Did you wager excessively? If you did, provide yourself a pat on the shoulder!

When you’re getting ready to blend a song or a whole album, pass ahead and set the H/W Buffer Size to 2048. Recording latency isn’t always our recognition with blending– plugin latency is. So we need to ensure your Pro Tools machine may not buckle if you manifest to use loads of plugins when mixing. Otherwise, go away with the opposite alternatives as they had been set from the primary part of this optimization manual.

The brunt of the settings you will be adjusting will be underneath the “DAE Playback Buffer” pane in your Playback Engine window. You will want to change your size to level 1 or stage 2 this time, no more, no much less; either of these options will preserve the streaming and playback of audio and processing from doing something weird and crashing. For the Cache Size, leave this on “Normal” or “Large” (Large will normally assist you in using extra plugins on an LE gadget).